Stop Press!

Trying to finish Cyprus trip. Four new videos uploaded into previous posts.

After trotting around Southeast Asia over the summer, I'm now back in the UK - Cambridge to be exact. Am trying my best to update as frequently as my clinical course will allow.

Entries on Italy and France two winters ago have been put on hold indefinitely. Read: possibly never. But we shall see.

Entries on Greece and Turkey last winter have also been put on hold for the time being.

Posted:
Don Det (Laos), Don Khone

Places yet to blog about:
Ban Nakasang, Champasak, Pakse, Tha Kaek, Vientienne, Vang Vien, Ban Phoudindaeng, Luang Prabang, Khon Kaen (Thailand), Bangkok, Kuala Lumpur (Malaysia), London (England), Cambridge

Friday 3 August 2007

Guangdong Chinese Opera


The first thing one notices in Guangdong Chinese Opera is the exaggeration. Like most traditional art forms, everything serves to exaggerate something. Their costumes exaggerate their movements and energize their performance despite the small stage. The long hair and beard. The flowing clothes and the hanging accessories. With skill, they manipulate their long sleeves to convey contempt.

Their makeup also serves to augment their facial expressions. With contrasting colours, they emphasize the eyes and lips. Conveying happiness and sadness as well as anxiety and worry.

Even the simplest and smallest of actions is used to intensify their performance. The shaking of their hands convey anger. And this is expanded by the handkerchief in their hands. No effort is spared.

Even from Chinese Opera, the influence of Confucianism on the many tenets of Chinese life is obvious. Themes such as the strong father-son bond and revenge justified by filial piety keep recurring in most performances. He wonders if people notice these subversive themes. Like how impressionable teenagers are. Or justice being more important than filial piety. Or just the lack of forgiveness.

Or is everything just an exaggeration?
An exaggerated sarcasm perhaps?

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